Red Wolf's Room

The Girl on the Train movie will be coming out soon .  For those of you who have yet to read the book, I encourage you to do so.  I prefer fantasy, science fiction and classic mysteries, but this book does have mysterious aspects and twists that you may never see coming.  I'll begin from the beginning. **In case you didn’t see it the first time: Spoilers Ahead (and the Culprit is Revealed) ! The Girl on the Train has three women narrating: Rachel, Megan and Anna. Rachel - The main narrator and the girl on the train. She rides the train into town on her way to work everyday and passes her old house and street. Rachel notices a man and a woman a couple of doors down from her old house and imagines their perfect life together. Later, Rachel finds out about the woman’s disappearance and because of the fiction she created in her head, she feels obligated to figure out what happened. She was also in the neighborhood the day the woman disappeared and Ra

I found this interview with Paul McGann on YouTube (posted by Morgan Creed) and enjoyed the conversation because McGann discusses quality writing and how so many stories on television focus on "crash-bang-wallop" and CGI effects instead of characters.  It got me thinking about how children don't notice the bad visual and audio effects older shows had until they see them again as teenagers or adults.  This allows children to get more enjoyment out of stories.  On the other hand, it's good that we lose that belief when it comes to the scarier (and sometimes gory) elements of stories.  I remember when my parents were watching Buffy the Vampire Slayer .  I was in grade school and I would shield my eyes from the television screen when I had to cross the room because the creatures were horrific.  A decade or so later, I see them and they are laughable because I can see the actor beneath the make-up and rubber.    Although McGann is an actor, he brings up some key poin