Red Wolf's Room

I've been reading science fiction novels such as Doorways in the Sand by the great Roger Zelazny; it's about alien possession and the copyright date of my book is 1976.  With older science fiction books, readers today notice obsolete things such as rabbit-ear televisions or the absence of the internet and the increased use of the mail system.  With that in mind, I noticed something in Doorways in the Sand when the mentor to the protagonist discusses scientific revolutions, "that a big new idea comes along and shatters traditional patterns of thought, that everything is then put together again from the ground up [...] After a time, things begin looking tidy once more [...] Then someone throws another brick through the window.  It has always been this way for [humans], and in recent years things have been coming closer and closer together."   Doesn't that sound like what's happening today in 2017 with the constant production and improvements in technology,

I was asked how The Goblin Tunnels series has helped me in my writing. For those of you unfamiliar with The Goblin Tunnels , I will fill you in: The Goblin Tunnels began as a series of photographs on Convozine (a site which no longer exists) by Victor Garibaldi and was continued by Éric Soucy.   It is a photo-series that depicts an alternate dimension accessible through public underground tunnels.  I have lent my writing to some of their work.  You can find the series here . When I began writing for The Goblin Tunnels, I never thought about the genre it fit into.  I simply tried to incorporate the same mood Victor and Éric's photos contained and went with that.  I have always been one to feel art first and then try to explain it with words.  I often search for the perfect song to help me write in whatever mood I'm in or need. Thinking back, the series has helped me: explore different themes and formats (including plays, letters and diary entries) as well as ot